Opera lui Ita O’Brien a inceput cu mult inaintea lui Weinstein.
Ea renunta la expresia „inainte de Weinstein”, asa cum toata lumea ar trebui sa stie ce inseamna si toti cei interesati de business show-uri: asta a fost lumea inainte de acuzatiile de hartuire sexuala impotriva mogulului de la Hollywood, Harvey Weinstein, a iesit la suprafata; inainte de nasterea miscarii #MeToo.
O’Brien, care are un master in studii in miscare si lucreaza ca director de miscare, nu intentiona sa devina un coordonator de intimitate – cineva care antreneaza actori si cineasti prin scene de sex pentru scena si ecran. Este un rol de pionier pe care O’Brien a lucrat la propriul material care exploreaza perspectiva unui abuzator. „Stiam ca trebuie sa pun in practica si procese pentru a-mi pastra actorii in siguranta pentru a-i ajuta sa exploreze acea dinamica intr-un mod cu adevarat sanatos”, a spus ea. Curand, ea a invatat indrumarile sale la Mountview Academy of Theatre Arts, una dintre scolile de drama de frunte din Marea Britanie „Asta a fost in aprilie 2015 si, cand s-a intamplat Weinstein, am reunit deja liniile directoare si, ulterior, rolul. coordonatorul intimitatii a venit din asta. Cu siguranta nu a fost intentia mea si este incredibil ca aici am ajuns. ”
Inainte de Weinstein, spunea O’Brien, ii invata pe studentii de drama cum sa vorbeasca cu regizorii despre continutul intim.
„Cu Weinstein se intampla, apoi, intreaga industrie,„ Trebuie sa ne descurcam mai bine ”, deodata a fost invitata si asta a fost incredibil.”
„Educatia sexuala” a fost primul proiect de televiziune care l-a angajat pe O’Brien ca coordonator de intimitate – o miscare revolutionara si potrivita printr-o emisiune care sustine deschidere si consimtamant atunci cand vine vorba de sex. “Este o parte foarte buna a echipei”, a spus directorul si producatorul executiv Ben Taylor.
Laurie Nunn, scriitoarea si creatoarea emisiunii, a adaugat: „A fost important sa stim ca toata lumea se simte in siguranta si ca, daca exista o problema, o putea ridica.”
Lui O’Brien ii placea sa lucreze la emisiune. „A fost o placere absoluta si un privilegiu si o incantare.”
Intr-un spectacol de genul „Educatie sexuala”, exista o abundenta de scenete intime si pentru a-i pregati pe tinerii membri ai distributiei, dintre care unii vor fi in fata camerelor pentru prima data, O’Brien a inceput cu o comunicare deschisa si transparenta. „Nimic nu este ascuns, nimic nu a ramas pana in ultimul moment, exista o comunicare clara. Asta este genial cu scrierea lui Laurie. Ea chiar scrie clar continutul intim. Ne uitam de ce scena este acolo, cum serveste povestea personajelor… toata acea munca este facuta inainte sa ajungem chiar la set. ”
Intreaba actorii aceste intrebari: „Cu ce esti fericit? Care sunt preocuparile tale? De ce esti ingrijorat? Ce nu este pentru tine? ”
„Odata ce pregatirea este facuta inseamna ca putem veni pe scena si toata lumea stie ce se va intampla si putem lucra eficient cu libertatea de a crea scene bune.” Good
O’Brien subliniaza cat de esential este „consimtamantul atingerii”. „Procesul ne permite sa coregrafam clar continutul intim pentru a permite tuturor sa fie profesionisti, sa serveasca personajul si sa serveasca povestiri. Inseamna ca toata lumea stie ca nimic nu le va fi cerut dincolo de ceea ce este fericit. Acest proces a fost de incredere si am putut, dupa cum vedeti, sa cream momente interesante de intimitate ”, a spus O’Brien.
She recalls one of her favorite memories from the set. “I was really proud of the fight into the kiss with Ncuti [Gatwa] and Connor [Swindells]. I really loved working in conjunction with the stunt coordinator. That kiss was nominated for one of the top 10 kisses of the year.”
The very first scene from season one is also memorable for O’Brien.
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“Working with Aimee Lou (Wood, who plays Aimee Gibbs) was just gorgeous. That very first scene, full on, isn’t it? Everybody knowing and being really empowered with not only what that scene was saying for the characters’ storyline, but also knowing where it’s placed within the whole production, knowing it’s the very first 30 seconds people were going to see… it was gorgeous, it was great.”
In Season 2, O’Brien shared her intimacy coordinator work with someone from her team. “That’s joyous in itself,” she said. “A lot in this series were male gay exploration and he did most of those which was really superb. The masturbation scene with Ola and Otis was great, the comic timing. I created the structure and they lifted it to another realm. Watching their skill as actors was just really fantastic.”
Today, O’Brien trains other intimacy coordinators and she’s had people come from all over the world—New Zealand, Australia, Finland, Germany, Canada, LA, New York, South Africa—to learn from her. “I now have about 20 practitioners around the world who I’m mentoring… we absolutely need more.”
There’s a growing demand for intimacy coordinators, said O’Brien. “This autumn has just been mad. I obviously can’t do everything, there’s some days that I’ve had my practitioners on five different productions on the same day.”
For her and her team, the learning never stops. “We share all of our experiences and write that back into our processes.”
We had to ask—what can nonactors learn from an intimacy coordinator? O’Brien said, “Open communication is the baseline. If you communicate openly with your intimate partners, it’s always the best. It’s not always easy, is it? But be able to ask for what you want, be able to say no to what you don’t want. It can be challenging but if you have open communication then that leads to healthy relationships and then would allow you to to healthy expressions of your intimate loving of your partners.”—PAM PASTOR
