Actritele si creatorii „The Girlfriend Experience” fac ca scenele de sex sa fie sigure, dar „luxoase” si „elibereaza” prea mult

Intrebati-l pe cel mai apropiat critic despre ce este vorba despre „The Girlfriend Experience” si probabil veti primi o mana de raspunsuri diferite: putere, bani, sex, America, natura umana, control.

Dar pentru persoanele implicate in realizarea dramelor Starz de jumatate de ora despre lumea escortelor high-end, o mare parte a spectacolului se invarte in jurul confortului.

Sezonul 2 al „The Girlfriend Experience” urmareste o serie de povesti, fiecare scrisa si regizata de unul dintre cei doi co-creatori ai emisiunii, Amy Seimetz si Lodge Kerrigan. Jumatatea lui Kerrigan urmareste doua romantisme ale femeilor stabilite in mijlocul unei batalii din sala de scrutin a alegerilor de la jumatatea lunii, in timp ce Seimetz urmareste povestea de razbunare neconventionala a unei femei care traieste sub protectia martorilor in New Mexico.

Co-creatorul Lodge Kerrigan s-a asigurat ca exista o intelegere intre actrita si regizor, care a inceput chiar de la inceputul procesului de casting. S-a intalnit cu ambii interpreti ai show-ului, Anna Friel si Louisa Krause, individual pentru a se asigura ca de la inceput, fiecare a cunoscut intreaga anvergura a ceea ce le cereau personajele.

„O multime de lucruri se afla pe pagina”, a spus Kerrigan intr-un interviu acordat IndieWire. „M-am intalnit cu Louisa de cateva ori la New York pentru a discuta proiectul cu ea in profunzime, pentru a lasa foarte clar ca nu numai ca este solicitant in ceea ce priveste numarul de scene de sex, dar si emotional. Acesta a fost cu adevarat principalul meu obiectiv. Apoi m-am dus la Londra sa o vizitez pe Anna doua zile, sa trec peste material si anumite intrebari. In primul rand, este intotdeauna provocarea emotionala de care ma preocupa cel mai mult cand arunc pe cineva. Nu este un rol in care poti intra cu jumatate de inima. ”

Din acea intalnire initiala, Krause explica faptul ca scrierea si pregatirea lui Kerrigan au ajutat la crearea unui mediu in care nu existau surprize si ca a existat o viziune unificata ca oamenii din fata si din spatele camerei se puteau uni.

“Lodge a scris o femeie foarte puternica, complexa, pe care as putea sa o iau in urma”, a spus Krause. „El a raspuns la orice intrebare, pentru ca este un expert in aceasta tema. Daca aveti vointa de a dori sa rezonati la adevarul a ceea ce vi se ofera intr-un scenariu, un tip care stie ce vrea si un echipaj mic, care este atat de pasionat, este uimitor. Toti au fost acolo pentru ca au crezut in proiect. ”

Acest sentiment de incredere s-a extins prin filmarea propriu-zisa a sezonului 2. Orice scena care a implicat nuditatea a fost tratata intr-un mod care pastreaza inca confidentialitatea si o separare semnificativa intre vulnerabilitatea de pe camera a personajelor si siguranta personala a actritei.

„[Loja] nici macar nu ar veni in camera in care am filmat pana cand camera nu s-a taiat sau s-a terminat si am fost acoperiti”, a spus Krause. „A fost atat de rapid in miscare, deoarece nu asteptati setari de iluminat. Lodge are intregul spectacol editat in mintea lui ca a fost usor sa ramana in el. Am simtit ca as fi in cele mai bune maini, pentru ca el este atat de specific in scrisul sau. Stie exact ce vrea. Nu as fi putut cere o experienta mai luxoasa. ”

Pentru Seimetz si Carmen Ejogo, combo regizor / interpret pentru cealalta jumatate a sezonului 2, procesul de creare a acelui mediu de intelegere a venit si inainte de inceperea productiei. Cei doi au avut sansa sa se intalneasca si sa discute personajul inainte de a avea sansa sa lucreze unul langa celalalt pe ecran in „Alien: Alianta” al lui Ridley Scott.

“I got to write for an actress, and she got to see the whole process of the scripts as they were unfolding,” Seimetz said. “I’d give them to her as I was writing them and she’d get to see drafts that changed, but she understood the conceptual ideas that maybe made their way into later episodes. For me, that was part of directing her.”

In addition to reading that on-the-page evolution, Ejogo explained that from watching the first season, she knew the show’s sexual elements were never designed to exploit. In her conversations with Seimetz, the mental and emotional aspects of the character were what shone through.

“She really lived up to her promise in that, allowing me to delve psychologically into this role,” Ejogo said. “I knew that Amy had such a clear vision that she was going for. To get in the way of that would have done both of us a disservice.”

That mutual understanding allowed Ejogo a greater sense of freedom in the many scenes when she’s on-screen all by herself. but when working with other actors, there was a specificity on-set that helped put her and other performers at ease.

“The scenes where it was me with another actor who maybe was feeling less sure, showing up on the day, I suppose in those scenarios, it helped for us to really do it color-by numbers and really lay it out and connect the dots. To know what we were aiming for physically, aesthetically, the whole thing,” Ejogo said.

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“There are other things with me on my own, for example, I was very encouraged by the idea that we just sort of riff. I’d be very open to hearing what Amy wanted and to be her tool in a way that I’m maybe more reticent with other directors to have done in the past.”

For Ejogo, part of that freedom of physicality came from a very simple place: her voice. Seimetz wrote the part so that Ejogo could use her natural British accent, one that she gets to use on screen less often than not.

“It shifted the performance in a way that was interesting to me. I normally play American characters, so there’s something weirdly liberating about going back to your sound, your tongue, your dialect. It pulled out some deep-seated parts of my own persona that maybe I don’t get to exercise very much,” Ejogo said.

Regardless of the kind of scenes that happen on screen or the emotional depth tied to them, it comes back to these actresses playing parts that they want to inhabit. Krause didn’t feel like she was being forced to accept a role that was less than what she was striving for in her other work.

“I really as a human just want truth. This show is going to give you raw, unapologetic truth. That, I can get behind. I’m all about committing fully, no reservations and just going for it. This show is provocative and edgy and it’s artistically satisfying. It’s a real treat.”

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