Eforturile avocatei din California, Lisa Bloom, au inclus oferirea de a vinde povestile presupuse victime la magazinele TV in schimbul unei comisii pentru ea insasi, aranjarea unui donator pentru a achita ipoteca unui acuzator Trump si incercarea de a asigura o plata de sase cifre pentru o alta femeie care, in final, a refuzat sa inainteaza dupa 750.000 de dolari, au spus clientii The Hill.

Va amintiti Bloom, „a sfatuit-o” pe vechea sa pereche Harvey Weinstein gratuit despre cum sa invarteasca dezvaluirile bombei care au aparut in octombrie anul trecut despre ceea ce un porc, o pervertire si un monger de putere Weinstein erau chiar in timp ce elitele de la Hollywood si Partidul Democrat s-au aplecat. inapoi in fata instantei si suge-l. A fost o miscare atat de stupida si obtuziva, incat a trebuit sa se retraga si sa o numeasca o „greseala colosala”, dupa care a ciripit rusinos, probabil la firma de avocatura: „Hai sa vorbim despre cum pot face mai bine”.

Problematic, intrucat efortul ei de a face bani este o oferta motivata ideologic de a distruge si de a-l inlatura pe presedintele Trump, este de fapt problematic, indiferent cine este tinta ei.

Ceea ce face este un alt vechi joc de la Hollywood, acesta perfectionat de amicul ei Weinstein, care consta in monetizarea fiecarui aspect al unui „produs”, care, la Hollywood, este film.

In Hollywood, nu se face doar un film in aceste zile. Trebuie sa-l impachetez, sa il comercializeze si sa il vanda, cu mult peste parametrii simplului film. Nu este suficient sa faci un film cu Spider-Man. Trebuie sa faceti oferte pentru spinoff-uri – tricouri Spider-Man, tacamuri Spider-Man, figuri de actiune Spider-Man, cutii de masa Spider-Man, screensaver-uri Spider-Man, genti sandwich-uri Spider-Man, masini editie Spider-Man, Spider-Man popsicles …

Demersul lui Bloom de a scutura bani din organizatiile de stiri pentru ca victimele sa le spuna „povestile” lor (si sa-l dea jos pe Trump, nu mai putin) este acelasi tip de comercializare si comercializare, nu de un fel de arta hollywoodiana, ci de ceea ce ar trebui sa fie doar un declaratie de adevar. Obtinerea ipotezei cuiva platita si aruncarea intr-un fond de colegiu, ca si cum unul tocmai a castigat un premiu de spectacol de joc, nu este exact ceva care apartine imaginii.

The interesting thing is that the allegation against Bloom has been made more than once.  In the original report about how Bloom soiled herself with her sleazy willingness to defend Weinstein for free, actress Rose McGowan accused Bloom of offering her money to get on the “Harvey’s Changed” bandwagon.  Bloom denied it, but McGowan, who already had sizable credibility in the wake of her role in exposing Weinstein, back when it was dangerous, now sees her credibility grow.

Bloom’s bid to monetize and industrialize the picture of a sex harassment victim telling her story and do it on the sly is a despicable commodification of women for personal gain that not only shows Bloom to be the mercenary she is, but is sure to discredit the #MeToo movement if they don’t pitch her overboard alongside her buddy Weinstein.

A few days ago, news came out that Hollywood-linked lawyer and Harvey Weinstein pal Lisa Bloom was out soliciting under-the-table cash payments to her sex harassment clients from news media outlets and left-wing political action committees.  Apparently, someone was grossed out enough about the sales effort to leak it to the press.  John Solomon and Alison Spann of The Hill reported:

A well-known women’s rights lawyer sought to arrange compensation from donors and tabloid media outlets for women who made or considered making sexual misconduct allegations against Donald Trump during the final months of the 2016 presidential race, according to documents and interviews.

California lawyer Lisa Bloom’s efforts included offering to sell alleged victims’ stories to TV outlets in return for a commission for herself, arranging a donor to pay off one Trump accuser’s mortgage and attempting to secure a six-figure payment for another woman who ultimately declined to come forward after being offered as much as $750,000, the clients told The Hill.

Bloom, you recall, was “advising” her old pal Harvey Weinstein for free on how to spin the bombshell revelations that came out last October about what a pig, pervert, and power-monger Weinstein was even as Hollywood and Democratic Party elites bent over backwards to court and succor him.  It was a move so stupid and obtuse that she had to backtrack and call it a “colossal mistake,” after which she shamelessly chirped, presumably to her law firm: “Let’s talk about how I can do better.”

Problematic as it is that her money-making effort is an ideologically motivated bid to smear and take down President Trump, it’s actually problematic no matter who her target is.

What she is doing is another old Hollywood game, this one perfected by her pal Weinstein, which is to monetize every aspect of a “product,” which, in Hollywood, is film.

In Hollywood, one does not merely make a film these days.  One must package it, market it, and sell it, well beyond the parameters of mere film.  It’s not enough to make a Spider-Man movie.  One must make deals for spinoffs – Spider-Man t-shirts, Spider-Man tableware, Spider-Man action figures, Spider-Man lunchboxes, Spider-Man screensavers, Spider-Man sandwich baggies, Spider-Man edition cars, Spider-Man popsicles..

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.

Bloom’s bid to shake money out of news organizations for victims to tell their “stories” (and take down Trump, no less) is the same kind of commercialization and commodification, not of some sort of Hollywood art, but of what should be merely a statement of truth.  Getting someone’s mortgage paid off and throwing in a college fund, as if one has just won a game show prize, isn’t exactly something that belongs in the picture.

The interesting thing is that the allegation against Bloom has been made more than once.  In the original report about how Bloom soiled herself with her sleazy willingness to defend Weinstein for free, actress Rose McGowan accused Bloom of offering her money to get on the “Harvey’s Changed” bandwagon.  Bloom denied it, but McGowan, who already had sizable credibility in the wake of her role in exposing Weinstein, back when it was dangerous, now sees her credibility grow.

Bloom’s bid to monetize and industrialize the picture of a sex harassment victim telling her story and do it on the sly is a despicable commodification of women for personal gain that not only shows Bloom to be the mercenary she is, but is sure to discredit the #MeToo movement if they don’t pitch her overboard alongside her buddy Weinstein.